One of our wedding photography tips that divides opinion is to visit the venue beforehand. Whilst this can be beneficial to a beginner the more seasoned wedding photographer will say it’s a waste of time. The light won’t be the same, it might rain etc. However, it may aid a beginner in putting them at ease to visit the venue. They can formulate a loose plan in their head and it may give them confidence going into the wedding.
You should also meet them in person. Some important questions to ask in a face-to-face interview may include: how would they describe their wedding photography style? (i.e. photojournalistic, formal, documentary, or creative); will they be the one photographing your wedding or do they have an assistant?; will both people be taking pictures during the day?; do they have back up plan in case of an emergency?; are you comfortable with their emergency plan?; what wedding photography packages do they have?; do they shoot in color or black & white? You should ask if they have a generic schedule for each wedding (portraits before the ceremony or after), and if they are they flexible and open to suggestions. You should even ask to see a contract.
There’s something intriguing about poring over old photographs. Whether the photos are black and whites from the Old Country or yellow-stained images from the halcyon days of our own youth, looking at them is like peeking through a window at another world. But if you’ve inherited boxes and boxes of old photos, whether you’re a family history buff or just trying to get organized, you may find yourself asking, “Who are these people?” Well, here are some tips to help you research, share and preserve those dusty old prints.
Wedding package two: $1,400: Includes up to 6 hours of wedding day photography, arrival at venue prior to preparation, first look and formal photos prior to ceremony, car service to reception, full coverage of reception, and high-resolution images via digital download. Add-on options: Second (junior) photographer for $200 or engagement photo session (one hour and 10 edited pics) for $200.
Have your clothing chosen way in advance and make sure that your outfit choices are comfortable and attractive. What do your dream family photos look like? If they are soft and elegant? Chose neutral colors with soft, flowing fabrics…. think creams, very soft pastels, oatmeals, light browns, tans, grays, and slate blues. Want to showcase the fun and spunky side of your family? Choose coordinating colors (but not matchy, matchy) with bold accent colors, such as hues of gray with yellow or bright red accents. Adding fun accessories like scarves, headbands, hats, etc. can add a modern twist and sassy flair to your images.
The conclusion: if all of this seems like a ton of information to digest, then keep it simple and look for two criteria: Do you like the photos and do they make you feel happy? Not a super visual person? Then it’s totally fine to ignore the first question and move onto the second: Do you like the photographer and do they make you feel happy? More important than lighting, composition, or any fancy technology, those are the power rules to live by.
A. We usually recommend that we start when our brides have their hair close to completed and just before they are starting make-up. We recommend that our grooms be showered (because we are pretty confident that you don’t want photos of that…) and have their pants and undershirt on (no collared shirt, tie or jacket on). You will also want to plan on having any details you want photographed out and readily available (dress, shoes, invitations, garter etc). That way we get to experience and capture all the parts of your day and really tell the full story.
Photographing couples and landscapes without one overshadowing the other is what we do best. But we also capture tighter, more intimate shots, candid shots that tell the story of the day, goofy behind the scenes shots, group photos, and even landscape shots without you in it (sorry, not sorry). Our goal is to deliver an album that drops your jaw, makes you laugh, and floods you with memories big and small from your epic adventure.
I attended the University of North Texas and received a Bachelor’s degree in Radio/Television and Film. In 2011, I received a Master’s in Ed. Technology. My first thought was I would teach technology/videography at a High School level, but I fell in LOVE with photography after my 1st daughter was born. She came into the world with the most beautiful red hair and striking blue eyes, needless to say, her Dad, her grandparents and myself were shocked! I picked up a cheap Kodak camera and never stopped taking pictures. Over the years I have self taught through online workshops, upgraded to a professional Canon Mark iii, purchased several fancy lens and just have gotten better by good ol’ fashion practicing. I have 3 children ages 12, 10 and 8 who always give me a good reason to shoot what I see! 🙂 I love what I do, which I think truly shows in my work. Photography and children inspire me. I am so grateful to be a given a gift to see the world the way I do.
Being as I am just started out I figured it might be a good idea to get my feet wet in those editing programs before I take the big leap into Photoshop and pay it’s ungodly price!! (lol) anyhow, if you can think of a better site where I might get a little more practice editing pictures please let me know. And please let me know your honest opinion of the aforementioned websites.
With my background being in classic style studio portraiture (aka “boring”), and 25 years experience photographing portraits and weddings, I have a few tips up my sleeve for you. If you’ve never done a family or group portrait before don’t be intimidated. Be honest with the family and tell they you’re just learning, I bet they’ll be willing participants to help you out and they get some nice photos in exchange.
Try to add variance to your group shots by providing the couple with a few different shots. Shoot wide to include all the outfits of the people in the photo. Get in closer and ask them to talk to each other (this generally sparks a reaction of laughter). Providing a couple with a bit of variance to their group shots gives them more flexibility when choosing images for albums or to share online. Additionally, it will add to your overall deliverable opposed to just one shot of people standing, smiling at the camera.
Few styles of portrait photography are as tricky as newborn photos — the unpredictable infant is always in charge! The best way to ensure a successful photo shoot is to work with a local newborn photographer within the first two weeks of the baby’s life. Some photographers even work with hospitals to offer newborn sessions within a day of the baby’s birth. But newborn photographers usually recommend scheduling a shoot during the baby’s first two weeks of life, while the baby is still sleepy and relatively cooperative, especially for posed or studio shots. During this time, babies are easier to swaddle in blankets and dress in hats or headbands, and, because they often nap or nurse, can be staged with various props or be cuddled by their parents. For casual photos, most newborn photographers recommend shooting within the first six weeks of a baby’s life. Lifestyle portrait photography is more flexible and doesn’t require the baby to cooperate with multiple poses or props.
I think it all comes down to storytelling. Each photographer has a personal take on the best way to tell a story through photos. The way a photographer perceives storytelling is going to inform what they take photos of, how they take them, where they are when the important events happen, and everything else in between. And there are a few variables that photographers manipulate that will make all the difference from one portfolio to the next:
For more than 15 years, Teresa Berg Photography has specialized in newborn and children photography. The photography studio, based in Addison, creates modern and emotional portraits, including maternity photos, senior photos, family photos, and pet photos. The company also shoots business portraits for portfolios and resumes. Teresa Berg has more than 20 years of photography experience.
*Staging Is Okay*While it’s not good to pose people, it can help to stage a shot. Know, for example, where the best light in your home is, and coax your subjects into it. If possible, declutter those spots beforehand. Sue Barr, a pro based just outside of New York City (www.suebarr.com), recommends semistaging a shot using wardrobe. “Try to dress everyone in similar tones—it will visually unify the group and makes exposure easier, too. Not too matchy, though.”(Above Photo) For this after-dark shot of his child, Teddy Madison mimicked daylight by placing his strobe out on the lawn.Teddy Madison
By having someone else take your photos you’re going to be able to be in a lot more of the shots, and you’ll get a lot more variety. You’ll also be able to focus more on having fun with your family – taking your own photos is definitely a bit of a juggling act! A pro behind the camera can catch a lot more of the special moments that come when you’re simply interacting with your loved ones, instead of worrying about whether your remote is working.
Wedding package one: $1,000: Includes up to 4 hours of coverage on the wedding day, with most formal photos taken before ceremony, car service (black Mercedes) as needed from ceremony site to the reception, photos of reception highlights (until time runs out), and high-resolution images via digital download. Add-on options: Second (junior) photographer for $200, additional hour of coverage $100 per hour, engagement photo session (one hour and 10 edited pictures) for $200.
Natalie Roberson Photography is built of a husband and wife team based in Frisco. The photography studio, founded in 2008, photographs newborns, engagements, weddings, child portraits, corporate headshots, family portraits, maternity photos, and hospital photos. The studio's photobooth service lets guests take silly photos at special events. The business offers digital photos, color prints on luster paper, metal stand-outs, canvas gallery wraps, albums, mini accordion books, announcements, and custom flash drive cases.
Avoid anything with logos, graphics, characters, labels, etc. These tend to take the “finished” look of a professional portrait down a few notches, can be distracting (who wants people to first notice the Nike or Gap logo before the adorable little kid’s smile?) and will date a photo quickly. I’m having flashbacks to me wearing Esprit tee-shirts with my Guess jeans back in grade school, right along side my little brother in his Gotcha shirt (and if you’re sitting there wondering what I’m talking about, you must not be an 80’s child, LOL). Note: There are a few instances where a more stylized graphic on a shirt can look good if it fits the vibe of a photo, for instance, in my six year old’s birthday session we did a total punk rock theme to go along with her party. She wore a Johnny Cash tee with her tutu and baby sis rocked a Ramones tee.