The "poses" that we'll work with are really just designed to get you interacting together. For example, I might have you take a walk down a long, tree-lined patch. I might instruct you to talk to each other the entire time and not look at me. What I'm looking for here is how you make each other laugh, your reactions to what the other says, and the natural cadence of how you interact. Or I might have you stand close together with the simple instruction of "Hold each other!" I want to see how you naturally put your arms around each other, how you get close to each other, and how excellent your chemistry is. The reason why many clients remark on the believability of my engagement images is because they are real moments. They're not staged interactions. While we do choose a location, set up a scenario, and put you in beautiful places for your portraits, your emotions and interactions are entirely your own.
Ever notice your child in his own world looking at a handful of wiggling worms, blowing his breath against a cold window or watching the dew drops fall off morning leaves? These are the moments that photography was made for. Seize these fleeting moments in time by zooming in close to find that special angle that tells the story from your child’s unique perspective.
Natalie Roberson is a photographic artist specializing in newborn, family, children and wedding photography. Natalie graduated from Southwest Texas State University in December 2001 with a bachelor’s degree in Mass Communications with Minors in Business and Spanish. In May of 2004 Natalie graduated from the University of Phoenix with a Master’s in Business Administration degree. Natalie studied Photography and Graphic Design at Collin College in Plano, Texas.
Lovely Fitzgerald Photography, based in The Colony, aims to capture the spirit of its portrait subjects in its newborn photography. Jessica, the photographer, was previously an interior designer and has transformed her eye for detail into a love of photography. The business transforms its photographs into artistic products including framed photos, albums, canvas prints, fine art prints, and glass displays. The photo studio's workshops teach students posing, editing, marketing, and in-person sales skills.
Most new wedding photographers skip hiring a “second shooter” to back them up on wedding days. If you can possibly make it happen financially, it is definitely worth the money to hire another photographer to work with on the wedding day. The photos will be better, you'll have a second set of gear in case of disaster, and you're extremely unlikely to miss the shot. (Thanks Gabrielle Walker-Jones)
At the beginning of the 20th century, color photography became available, but was still unreliable and expensive, so most wedding photography was still practiced in black and white. The concept of capturing the wedding "event" came about after the Second World War. Using film roll technology and improved lighting techniques available with the invention of the compact flash bulb, photographers would often show up at a wedding and try to sell the photos later. Despite the initial low quality photographs that often resulted, the competition forced the studio photographers to start working on location.
that blend with the the vibe of the session as well, but keep them simple and meaningful. A handful of flowers that are a natural, neutral color or that coordinate with color pops in the subjects’ clothing, a vintage camera, a basket of apples, or the absolute best type of prop is something that is meaningful to the subject (grandpa’s vintage camera, their favorite stuffed animal, a quilt made by great grandma, the family’s beloved pet). But don’t let the prop be an odd distraction – make sure it “makes sense” being in the photo and blends well with the whole vision you had in mind for the shoot.