Julie always advises her clients to be natural. That is, where what you would normally where in your daily life… whatever you’re comfortable wearing. And Julie highly recommends not matching. Mainly because that is not natural (for most people anyway :). Also, don’t clean up the house too much. A “lived in” look is how most families live so why should it be any different for your family photos? And finally, try to relax and enjoy the experience even when baby is crying, toddler is running around, and the dog is being ornery. Sometimes, those chaotic, unscripted shots are the best and most memorable.
One of the challenges of weddings is that there are often people going everywhere – including the backgrounds of your shots. Particularly with the formal shots scope out the area where they’ll be taken ahead of time looking for good backgrounds. Ideally you’ll be wanting uncluttered areas and shaded spots out of direct sunlight where there’s unlikely to be a wandering great aunt wander into the back of the shot. Read more on getting backgrounds right.
When shooting a wedding, I like to use a camera with dual card slots (like the Nikon D7000, or many high-end cameras) because it allows me to double up on each photo. Every photo is recorded to both cards. This is good insurance, but it also uses a lot of memory cards during a wedding. I'd never shoot a wedding with fewer than 30 gigs of memory cards in my bag. I almost never shoot that many shots, but I never want to face the situation where I'm panicking about running out. (Thanks Robert LeBlanc, who is a regular on the Facebook page)
Start the same way you would for the first pose, with a naked baby in a blanket in your arms. Once he’s sleepy, gently lay him down on his back and remove the blanket. Cross his feet and bend his knees like you see in the photo below and just hold them there with your hand for a few minutes. If he relaxes in that position, you’ll be able to slowly remove your hand and his legs will stay crossed.
I attended the University of North Texas and received a Bachelor’s degree in Radio/Television and Film. In 2011, I received a Master’s in Ed. Technology. My first thought was I would teach technology/videography at a High School level, but I fell in LOVE with photography after my 1st daughter was born. She came into the world with the most beautiful red hair and striking blue eyes, needless to say, her Dad, her grandparents and myself were shocked! I picked up a cheap Kodak camera and never stopped taking pictures. Over the years I have self taught through online workshops, upgraded to a professional Canon Mark iii, purchased several fancy lens and just have gotten better by good ol’ fashion practicing. I have 3 children ages 12, 10 and 8 who always give me a good reason to shoot what I see! 🙂 I love what I do, which I think truly shows in my work. Photography and children inspire me. I am so grateful to be a given a gift to see the world the way I do.
CandidShutters aim is to capture all things beautiful. They are a passionate team of wedding photographers and cinematographers that love to capture and preserve the most beautiful of emotions. They are based in India and it is really great to hear wedding photography tips from different cultures and whether there are any differences in priorities. However, Pranjal from CandidShutter’s tip is universal and all about being authentic and true to yourself, he had this to say –
Photographs deserve to exist as more than just digital pixels, but despite how easy it is to order a print online or in-store, getting a good quality result isn’t always guaranteed. When moving from digital to print, a photo can take on weird colors, lose detail, gain unexpected borders, and more. So what’s the best place to print photos online? We’ve rounded up the options from personal experience, pro photographer recommendations, and web reviews to put together our seven favorite photo printers, from online to brick-and-mortar.
This camera is accomplished with its Creative Auto mode that simplifies instructions for the layman and has several pre-set modes of shooting. Once you get the idea, you can then do everything manually. The learning curve doesn’t exist. All it takes is one quick browse through the manual, or a run through on auto mode. You can pick up all those advanced tactics on the go.
There are a few bonuses to using accessories well (as well as layers). One is that changing them up a bit throughout the session can give you multiple looks without having to do many wardrobe changes. They can also be something that the subjects can interact with. A sassy little tip of the hat, holding the ends of a scarf while running and letting it billow behind you, grabbing the lapels of a husbands jacket while pulling him close for a kiss – all these little gestures and ways to interact (and become more comfortable in front of the camera) can be made possible with styling choices. Many of my sessions will feature items used outside their intended use or subject. My girls are often seen in mommy’s hats or scarves (scarves can be used in different ways like wrapped around their shoulders, as a hair piece, etc) and they love to wear my costume jewelry.