I’m going to be taking photographs of my daughter giving birth to my granddaughter next month and I’m panicing. I don’t know a lot about lighting yet except for what I’ve read, I love outdoor photos as they always seem to come out great. I’m concerned about the birthing room lightening. What ISO would you put your camera lighting too? While she is in labor I can experiment, but I would like maybe a heads up with this. I love taking photography of my grandchildren and family and friends, but just started to really get serious about it. So much has happened and I planned on going to some classes for lighting, but do to wedding and shower and death of my Mom, I haven’t had time. If you could help I would appreciate. Please send me a message to my yahoo.com account. Signed Desperate thank you in advance Joyce
The #1 way to ensure a successful newborn session is to make sure your client knows what to expect and how to best prepare for the session.  I send my prep tips a few days before our session to get mommy and daddy prepared.  In fact, in our newborn workshop includes the email templates that I send & has a full chapter dedicated to adequate preparation before the session.  Many moms choose to feed while I unpack and setup.  I have them feed the baby in only a diaper and a loose swaddle blanket so we don’t have to bother the baby with undressing them.  I also let them know what I’ll be bringing, the approximate length of the session, to expect messes and frequent feedings, and to warm the house, even though I will be bringing a heater.

For good portraits you must turn off your flash. Your camera’s pop-up flash does more harm than good in most photography situations, so make sure you aren’t using it when you try to photograph your newborn. Instead, find a good source of natural light, like a large window or glass door, and set up close to it. If you have enough light coming in you won’t need either your flash or your overhead lights (which are also not a good plan when taking portraits). If it’s warm enough you can even set up in your garage with the door up to allow lots of light in. Start paying attention to the light in the room in yourself with the largest window – notice when the room is bright, but you can’t see the shadow of the window on the floor in front of it (see this post for more explanation of this). That’s the time of day when you want to plan your newborn photo shoot.
Get dressed up! And schedule ample time for the shoot. We usually make it the only thing on our schedule for the morning or afternoon, and don’t have anywhere else to rush off to. Often it takes a lot longer than you expect for everyone to get ready, to go and find the perfect spot (we try to figure out where we’ll shoot before the actual day, especially if we have to drive there), take all the shots, and then pack up. And by the end everyone will be a bit tired! So make your shoot a priority for the day, and you’re much more likely to get it done, and enjoy the process.
Once you’re through with the type of photos above, use a family member to get even more pictures of just the baby. You’ll notice that I almost always use my piece of black stretch velvet as a background when photographing baby and mom. I just really like the timeless look, and it makes for great black and white photos. In the following photos I asked the mom to wear a black shirt, then draped the black velvet either over them or behind them. Here are a few more fun poses using a family member:
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Spring is the perfect time to take your photo idea outdoors. Choose from beautiful pastel colors are more prominent in the springtime, along with white and blue hues. Other trendy springtime outfit ideas include floral patterns, which can be incorporated throughout accessories or clothing items. Dresses and skirts are also popular for spring family photos. These springtime trends paired with simple basics will give your family photos a polished and fresh look.
Jackie Spivey is a Keller-based photographer crafting high-quality portraits of families and newborns for over 10 years. She offers in-studio and in-home photo sessions for newborns and babies, and also takes family, wedding, and maternity photos on location. Jackie Spivey was once voted by the WFAA as one of the Top 5 Wedding Photographers in Dallas/Fort Worth.
Kimberly Fain Photography is located in old town Burleson. This photography studio specializes in newborn, maternity, and the first year of life sessions. Owner and photographer Kimberly Fain provides many options to display the beautiful images, including prints, mounted prints, gallery wrapped canvases, metals, acrylics, and beautiful heirloom albums. Clients may purchase digital packages, print packages, or à la carte prints as well. Kimberly's clients have left rave reviews for her abilty to create stunning galleries with a welcoming personality, and she is also a member of the Professional Photographers of America.
If the baby has older siblings, I try to make the sibling shots my very first priority and then let them go play while we finish the session.  Toddlers simply don’t have the attention span to sit quietly and wait for you to call on them for their picture so get their poses done first while they are curious and excited about your visit.  By the time the session is over, they are usually open to participating again and that is when I try to get some lifestyle sibling shots.  If they don’t want to participate, I’ve found promises of ice cream & candy have magical powers! (as long as that’s ok with Mom & Dad).
#1 – it automatically forces you to slow down. That’s a good thing. You can check your settings, review the composition, and exposure to make sure you’ve got everything right. All to often it’s easy to get carried away once you put the camera up to your eye and forget to check something only to see later you had the wrong White Balance, or ISO was 6400, or you accidentally shot Small JPG. Slow down, avoid an “oops”.
For good portraits you must turn off your flash. Your camera’s pop-up flash does more harm than good in most photography situations, so make sure you aren’t using it when you try to photograph your newborn. Instead, find a good source of natural light, like a large window or glass door, and set up close to it. If you have enough light coming in you won’t need either your flash or your overhead lights (which are also not a good plan when taking portraits). If it’s warm enough you can even set up in your garage with the door up to allow lots of light in. Start paying attention to the light in the room in yourself with the largest window – notice when the room is bright, but you can’t see the shadow of the window on the floor in front of it (see this post for more explanation of this). That’s the time of day when you want to plan your newborn photo shoot.
Once you have the basics set up, you can drape a solid colored blanket over it all. Use clamps to attach the blanket to the backdrop boards and make sure the clamps also attach the board to the chairs so it will not fall over (if you don’t have a backdrop board just attach the blanket to the tops of the chairs). Let it drape down the board until it is level with the pillows, then lay it over the pillows. You want to minimize wrinkles as much as possible, because they will be very distracting in the final picture, so use more clamps on the sides if you need to. Additionally, you might want to clamp the background board to the chairs it’s resting against to be sure it won’t fall during the photoshoot. It should look like this:

If there are small children or babies involved make sure to get their attention. It even helps to have an assistant, tell them to bring Grandma along or a friend to help out. But what always happens is you get the kids all looking and smiling, and what are the parents doing? Looking at the kids!  Oops again! I always tell the parents, “no matter what keep looking at me as I make a total fool of myself, do NOT look at your child”.
Consider a special service. Rent the Runway offers a genius Wedding Concierge program that helps brides get dressed for their big prewedding events. (In this case, that could mean an engagement photo session followed by an engagement party—talk about two birds, one stone.) Sign up for access to styling consultations and outfit rental options that won't break the bank. 
Angela Weedon Photography is a premier family photographer serving the Dallas area for more than 16 years. They are dedicated to producing timeless wall portraits and heirloom albums featuring families, expectant mothers, newborns, and children. Their team is also highly experienced in photographing high school seniors. Angela Weedon Photography was listed in D Magazine’s Best of Big D in 2011.
Yep, it's true… and it has been true for over 150 years.  If you want the dress to stay white instead of a dull gray, then you'll probably need to dial in some positive exposure compensation.  The light meter in your camera will see the white dress and think it's bright, but it isn't bright–it's just white!  The camera tends to compensate for this large “bright” spot in the photo and makes the exposure of the dress too dark.  Positive exposure compensation fixes this problem in a jiffy (Thanks Jess Joey)

Drew is a family photographer and owner of DrewB Photography. In addition to her blog, Mom*tog, Drew has released her new photography guide UnManual2. To see more of Drew’s work, follow her on Instagram. With so many family photographers out there it can be overwhelming to find the right one for your family. And, typically, it’s a big investment. … Continue reading How to Choose Your Family Photographer
Sounds great right? Well often it’s a bit of pain pairing your phone with your camera. Most apps made by camera manufacturers for smartphones are terrible. Then when you’re actually using the app you’ll find it’s nearly impossible to shoot photos in quick succession (because of the lag between the camera and your phone, and also because it’s tough to repeatedly tap the shutter release button on the app).
Ok, this isn’t a novel idea, but I use this a lot (even still) and think it’s worth the small investment for the random times it’s used.  I have this tripod with a bag carrier, found on Amazon for $14.99. It’s a handy tool for years to come.  Many times I’ve set my tripod up, and RUN into the picture. The toughest part about this method is making sure all the kids look in the right direction, and not at you running back.

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I had what I consider my first “real” maternity session a couple weeks ago. I call it my “first” because at the real first one I didn’t give any direction at all on what to wear and she came dressed in a black lace top with matching lace fingerless gloves! EEEK! Not exactly my style or what I wanted to show in my portfolio. But this time I was much more certain of the shots I wanted and was able to tweak the client’s prop ideas to get what she wanted and, secretly, what I wanted as well.

This one can be really bad and it is super important. Five weeks before your wedding and on the same day of the week as your wedding (i.e. if you are getting married on a Saturday, then look at the Saturday five weeks prior to your wedding), pull up Sigalert (or any other traffic monitoring site) and see what traffic is like on the routes you will be taking at around the times that you are likely to be on them. Do this every week and you might notice that there is consistently more or consistently less traffic on your routes than you had planned. You can save yourself a LOT of stress (and perhaps even prepare appropriate tasty treats and beverages!) by knowing ahead of time if you are probably going to be sitting in traffic for 45 minutes between your getting ready, ceremony, and reception locations.

Ask your partner or other children to join you. Schedule your maternity photos on a day when your partner or other children can join you. Including your family in your maternity photos is a special way to capture your growing family.[3] Ask your partner what day would work best for their schedule. If you have other children, schedule the photo shoot on a day they do not have school, or see if you can sign them out of class for an afternoon.
"I had been familiar with a lot of Jay's work from the past and knew he was amazing but had no idea how unbelievable he was until I got all the photos back from every event! There wasn't a single detail that was missed throughout any session including engagement, bridals, rehearsal dinner, wedding, or reception! Jay has a gift that is only God given and I wouldn't ever go to anyone else to help capture some of the most imporant events of our lives!"
Firstly timing your shots is important. Babies don’t move much but they subtly change their position and expressions in ways that can make or break a photo. I’ve had my camera set in continuous shooting mode since Xavier was born because I find that shooting a single frame often misses ‘the moment’. I’ve also ended up with some wonderful sequences of shots by shooting off three or four shots in a row.
Arrange the time for the makeup artist correctly. Talk to the hair and makeup artist and find out how long it will take for her/him to finish the job. Make sure to include everything in the timeline that you will share with the client. For example, if you are planning on meeting your client at the location at 5 PM, you will need to take into consideration how long it is going to take them to drive from the makeup artist’s place to the location. From there, subtract the duration of time the makeup artist needs and tell your clients to be there accordingly. Give about 15-20 minutes of slack time, so that you do not end up rushing everything. This is especially true for late afternoon/evening photo shoots.
[…] I decided to use the techniques I had practised with during my test shoot with the doll, anbd bring them into the shoot I did with the real newborn, as well as looking online for any tips that could help me with getting the images perfect. I found a site which talked me through the different poses, the best way to move the newborn and then preparation before hand, I found the advice quite helpful: DIY newborn shoots […]

There are a few bonuses to using accessories well (as well as layers). One is that changing them up a bit throughout the session can give you multiple looks without having to do many wardrobe changes. They can also be something that the subjects can interact with. A sassy little tip of the hat, holding the ends of a scarf while running and letting it billow behind you, grabbing the lapels of a husbands jacket while pulling him close for a kiss – all these little gestures and ways to interact (and become more comfortable in front of the camera) can be made possible with styling choices. Many of my sessions will feature items used outside their intended use or subject. My girls are often seen in mommy’s hats or scarves (scarves can be used in different ways like wrapped around their shoulders, as a hair piece, etc) and they love to wear my costume jewelry.
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