The beauty of shooting digital and especially in RAW is that you can convert your files to black and white at a later date. If you have trouble seeing contrast you can even shoot the whole wedding in black and white. This really simplifies the photography as you don’t get distracted by colour. You can then convert them to colour in post-production. Black and White conversion can be particularly helpful with the unpredictable lighting you get as a wedding photographer. It isn’t a substitute for bad photography but I can definitely make an emotional photo pop.
Ansley Beth Photography is a Grapevine-based portrait photographer offering candid photo sessions for individuals and families. They specialize in portraits of newborns, expectant mothers, families, and high school seniors, and also provides photo coverage for intimate weddings. Clients commend the team of Ansley Beth Photography for their patience and ability to make subjects feel comfortable and confident.
Here’s an important thing to keep in mind: The memories that are brought up when you look at these photos will be complex. The images themselves will trigger memory of what your child looked like and who they were, and of your relationship together, AND it will also trigger memory of what you felt like when those images were being captured. If you were uncomfortable during the session that discomfort will forever be tied to the images.
From official portraits to birthdays and christenings, these little tykes are already as photogenic as their parents. George is always darling and dapper in his shorts and knee-high socks while Charlotte is the epitome of precious in her patterned dresses and pastel cardigans. Now that Louis has made his debut, we can't wait to see his personality shine, as well. Take a look — this collection of sweet pics will make your heart melt.
Our baby is pretty predictable in terms of his daily routine (we seem to have got him pretty settled into one already somehow) but there are moments all day long that he does something cute, disgusting, funny and worth capturing. Without the camera handy you’ll miss these moments as they are usually fleeting. We tend to leave our DSLR in our livingroom where we spend most of our time with him but also have a point and shoot in the bedroom for other shots.

Destination wedding photographers may run into challenges not typically associated with their normal weddings, ranging from location familiarity to client familiarity. Photographers may be familiar with venues if they are shooting locally; but if they travel, everything is new. For example; a Tampa wedding photographer is used to shooting a beach wedding where the sun sets over the ocean. In Miami, the sun no longer sets over the ocean. When planning for a local wedding a photographer may often meet the couple over coffee or dinner, or handle their engagement shoot. These jump start the getting-to-know-you process and create client familiarity. Typically, a destination wedding does not afford those conveniences.

1.  Lots of photos!  First of all, you probably want to be able to see lots of photos from a variety of sessions.  It should be safe to assume you’ll be happy with their photos if you can look at their blog and find 5 family photo sessions that you love.  If they just have a gallery on their website with 15 or 20 family photos, those are probably the very best family photos they’ve ever taken.  Maybe all of their photos are that good, but maybe they aren’t actually producing that quality of work consistently.  If they don’t have a lot of work on their blog, you may want to ask to see a sample of a whole session.  I put almost every session up on my blog as long as I have the client’s permission.  Part of why I do this is for visibility and advertising, but another reason is that I want happy clients!  I want you to see not only my very best work, but ALL of my work so that the photos I give you will meet (or hopefully exceed!) the expectations that you have for me.  I think it’s important for you to be able to see how I shoot on sunny days as well as cloudy days and how I pose a wide variety of families.
I live in this dichotomous world in my head.  I’ve always been a thrifty DIY gal who loves to shop garage sales. However, I’m also a professional photographer who charges according to my expertise, which aren’t necessarily garage sale prices.  I think that every 2-3 years, investing in a professional photographer is ideal. There are many price ranges out there, and with a little researc, you can find someone in your area that meets your needs. I also know that taking Family Pictures just isn’t in the budget each year for most people, so I’m going to share some tips on How to Take your Own Family Pictures.

Advantage in the home is comfort and connection to familiar surroundings. You don’t have to worry about the weather outside. Disadvantage, you have to clean your house so it will look good in the photos. The lighting may not be optimal. Please check with your photographer on how they will address this. Seasoned photographers will use portable off-camera flash if necessary.
If you notice that you aren't getting the bride and groom to relax and interact with each other while you're taking photos, the best thing you can do is to switch to a longer lens (like 200mm) and scoot way back.  The couple will naturally begin to interact with each other and you'll be able to get the shot since you're out of their way.  This is my favorite way to START a wedding shoot of the couple.  By starting far away, they feel like it's just them and they can get used to the camera from a distance.

[…] I decided to use the techniques I had practised with during my test shoot with the doll, anbd bring them into the shoot I did with the real newborn, as well as looking online for any tips that could help me with getting the images perfect. I found a site which talked me through the different poses, the best way to move the newborn and then preparation before hand, I found the advice quite helpful: DIY newborn shoots […]
There are three factors to consider in choosing a lens. Number one is the quality. Better crafted (and typically more expensive) lenses will provide you with a clear image. Remember that it's always better to invest in better lenses as opposed to buying an expensive body. Number two is the aperture. Different lenses will allow you to stop up to larger apertures (lower #'s). If you are in low light or want a shallower depth of field, you may choose a lens with a wider maximum aperture. Thirdly, focal length arguably has the greatest effect. A longer focal length (higher #) will compress the foreground and background more.This can be useful for portraits as it makes a subject look more natural.
Do you have any advice for when the kids are dogs? It’s really hard to get one, and especially both, dogs looking at the camera at the same time for our family portraits. They are a busy breed (Australian Shepherds) and still young. I’ve been wanting to do self portraits of just me and our dogs as well, however that’s hard to get too since they won’t “sit, stay” while I focus and get back into the picture. My husband isn’t too thrilled about getting into the picture unless we’re on vacation so most of the self portraits are done on my own.
Not only is it handy to have two camera bodies for a wedding as insurance against gear failure, but it also enables you to have a different lens on each body.  This way you can very quickly switch from telephoto to standard zoom as the wedding party moves around.  Once you've tried it, you'll never go back to shooting just one body.  Fortunately, you can rent the lens and camera body for cheap.  (Thanks Kati Lewis)
Posed/studio sessions – Typically must be done within the first 2 weeks of birth when the baby is very sleepy and “mold-able”.  The focus in this type of session is on shots of the baby looking perfect, usually in blankets, wraps, hats, & headbands.  The session can last up to 4 hours with feeding, potty breaks, and posing.  Editing this type of session also takes quite a bit of time as each image needs to go through Photoshop individually to get a polished end result.
Just as important as getting some light in the eyes is having it come from a good direction. We’ve established overhead isn’t good direction, neither is straight from camera. So turning on your built-in pop flash isn’t going to give you good light. Neither is sticking a speedlight on top. Light direct from the camera angle flattens the subject, that is not what you want. You want the light to come from the side more, 30-45 degrees from camera is a good starting point. To learn more about this read my article on the 6 Lighting Patterns Every Photographer Should Know.
I would love to meet up and talk about your hopes and dreams — Meet your partner in crime, and little(s), and hear your love story. I hope you will give me the chance to get to know you. I will bring some samples, talk about what it’s like to do a playdate with me, answer all of your questions and calm your anxieties, and you can get a feel for what it is like to work with me.
*Tell A Story*Shetha Nolke of Portland, OR shot the above photo of a boy encircled in holiday lights and it’s more than just cute. The lights were strung by an older brother, and you can see in the child’s eyes the years of teasing he’s taken from that sibling. Says New York-based pro Andrew Matusik, who took this black-and-white group photo, “I shoot my family like I’m doing a photo essay. I want the photos to tell a greater story and show the bigger picture. To do that, I look for narrative elements that can tie the images together, like the grandchildren in my shot here.”Shetha Nolke

As a professional Dallas newborn photographer, we try our best to make sure our newborn photography pricing is affordable to fit any budget. Our newborn photography packages include beautiful products as well as digital images. We also offer our clients access to our printing lab directly from your online gallery so you can have the quality of my print labs at your fingertips!


Engagement sessions are a big hit with couples and photographers. Almost all couples agree for a session before the wedding, so engagement photography has pretty much become a staple of wedding photography. An engagement shoot is done after a couple gets engaged and it usually is captured before the wedding. Some photographers sell this session as a separate product and most photographers include this session in their wedding packages. Regardless of how you like to approach it, understanding the basics of photographing couples and knowing how to coordinate a shoot that involves more than one person is crucial. Hence, I decided to write a piece to explain what goes into the planning process of an engagement session.
Flatter yourselves, Moms:  Yes, Moms, I'm talking to you. You're organizing, you're planning, you're making it happen, every day.  YOU deserve to look amazing in these photos. Don't forget about YOU.  Play up your assets. If you have great legs, don't hesitate to show them off a little. It's OK to be a hot mama.  If you have an area of insecurity, think about how you can minimize that with your outfit choice. Scarves /pashminas/jackets are awesome accessories that can totally help highlight the best version of you.  If you have insecurities that you want to share with me - please do.  BUT, you're not allowed to do it during your session.  Let's get that out of the way beforehand, so it doesn't bring us down on session day.  :)
4. Position your subjects so you can see both their faces. A mom or grandma will probably hold the baby up on her chest, the baby facing in. This can make it hard to see both faces at once in a photo, so ask your subject to stand sideways and gently turn the baby toward you while she turns her head toward you as well. (An over the shoulder pose like the one above works well too.)

Kimberly Wylie Photography specializes in newborn photography in the Dallas area. The photo studio uses creative settings to create original portraits of babies, children, families, and expecting mothers. Kimberly Wylie is a PPA Master Photographer who regularly presents photography workshops. The business was voted The Best Portrait Photographer of the Dallas/Ft. Worth area by WFAA Channel 8 in 2015, and Kimberly's work is regularly featured in Fox 4's GOOD DAY. The Kimberly Wylie Photography studio has a kid's playroom to create a stress-free experience.


Yes, you can take newborn photos after two weeks but you’ll have to opt for different poses and concepts. Your newborn will likely be awake during the session so you should go for photos that include the baby with clothes on and wide awake. Taking newborn photos after two weeks isn’t unheard of and your photos will still turn out well. However, your little one won’t curl up so easily after two weeks so we encourage you to take a different approach with your photos. Babies begin to stretch and extend their arms and legs after two weeks, making it harder for them to naturally curl up during photos. Don’t be discouraged though by timing as you should still schedule a newborn session even if two weeks have passed by.

A wedding photographers day can last up to 15+ hours so slow down. There is no need to rush. You will end up missing shots by running around like a mad man. Think about what you are doing. Compose your shots well. Check them. Move on. Don’t just spray and pray. Yes, you might have taken 10 billion photos but that means hours of culling and the results are likely terrible.
Here’s an important thing to keep in mind: The memories that are brought up when you look at these photos will be complex. The images themselves will trigger memory of what your child looked like and who they were, and of your relationship together, AND it will also trigger memory of what you felt like when those images were being captured. If you were uncomfortable during the session that discomfort will forever be tied to the images.
When styling a photo session, I like to start out with a basic color palette and go from there. It can help to have one “rock star” in the photos who carries a pattern in their outfit that the rest of the group’s clothing or accessories pulls from, while keeping everyone else’s outfits more simple. You can do this with a neutral and a few colorful brights, or try a softer palette that has different tonal ranges of the same shades.
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