that blend with the the vibe of the session as well, but keep them simple and meaningful. A handful of flowers that are a natural, neutral color or that coordinate with color pops in the subjects’ clothing, a vintage camera, a basket of apples, or the absolute best type of prop is something that is meaningful to the subject (grandpa’s vintage camera, their favorite stuffed animal, a quilt made by great grandma, the family’s beloved pet). But don’t let the prop be an odd distraction – make sure it “makes sense” being in the photo and blends well with the whole vision you had in mind for the shoot.
As a team of experienced and passionate elopement photographers in NYC, I Heart New York is your first port of call when looking for a portrait, wedding or elopement photographer. The team have all lived in The Big Apple for some time now, and each of us have found this city to be a photographer’s dream – from the urban oasis that is Central Park, through to the yellow taxis that polka dot the city, the Lower East Side grit, City Hall, and of course the best slices of pizza in the world. When it comes to taking stunning destination photos in New York, IHNY knows all the best locations, from the Upper West Side to downtown city hall. Elopement photographers with local insider NYC knowledge provide more than amazing photos – they can show you the all best bits that the city has to offer.
A lot of photographers like the warmth of film. Film has a texture and a quality that just can’t be reproduced in digital format (no matter how hard we try). Also, if someone says they use film, it means they were probably trained in a darkroom and have an understanding of cameras that goes beyond digital, so not only will your photos look different, but the experience of being shot on film will be different than working with a strictly digital shooter.
With my background being in classic style studio portraiture (aka “boring”), and 25 years experience photographing portraits and weddings, I have a few tips up my sleeve for you. If you’ve never done a family or group portrait before don’t be intimidated. Be honest with the family and tell they you’re just learning, I bet they’ll be willing participants to help you out and they get some nice photos in exchange.
One of my biggest mistakes, when I was starting out, was that I brought all my props/wraps/blankets/headbands to every single session.  When I got set up, I would have a mini panic attack because I had no idea where I should start.  Now I plan 3-4 different setups (based on the client’s preferences and expectations) and that’s all.  I am often inspired by something the client owns as well, such as a blanket knitted by Grandma or something else that’s special to mom and dad, so it is not uncommon for me to not even use everything I bring.
Dears, I am a long-time passionate about dslr photography and having 2 little kids myself I know how difficult it is to take perfect shots when you need to take care of the baby and at the same time you Re the one behind the camera. I experienced a newborn session in an atelier twice with a photographer lady which I adore and now want to go this way too and give it a try. Was waiting for a girl friend newborn in order to get some training first but after I’ve read this I am going to post a note about searching a newborn model and don’t worey about the whoke thing.
Also, check if there's a second shooter included in the contract, and if there's not, ask about the possibility. It's likely the second shooter can be confirmed later on, but the main benefit to having two shooters is, of course, you get twice as much coverage. For example, during your formal photo session, one photographer can capture the formal photos, while the second one can get behind-the-scenes, photojournalistic photos, like your guests mingling. If you're having a larger wedding (250 guests or more), you might even want to ask about having three shooters so your photography team can be sure to capture the event from all angles.
This is very momentous that why you will choose us for covering your life time event. There are various reasons to hire us for this task, first of all we don’t only cover the program we also cooperate to provide the event idea. Then we have group of people who are expert separate sectors, we have strong manpower who are covering your desired program regularly. After that we have strong communication in various location at Dublin which will associate to cover your event from different place. The most important thing is that we are able to read your mind from our experience what do you want to do in your wedding and what needs to do in the program and this is measurable by money. We are doing this to make the event more charming and enjoyable which will support to make you happy and you will recommend someone by getting our service.

Thank you so much for this post. I’m also a newbie to the world of professional photography, but I’ve been a photographer for most of my life. I would usually simply do shots with friends and their families, or just my own, but I’m actually starting to get paid for it now. I had the privilege 3 days ago to shoot my friends newborn son and her older 2 kids. It was my first newborn shoot, and I was thrilled at how the pics came out, but I felt like I could have done better. Fortunately, I get to try again tomorrow, because Daddy was working last time! Your list and examples are fabulous, and I can’t wait to put then into action!
This one is a bit harder to understand from a client’s perspective. Understanding the question of “How do I choose a family photographer” means also understanding the difference in the services they offer. The photography industry does not have one set way to do things when it comes to charging for things and it can vary wildly from photographer to photographer. When I was starting my business, even I had a hard time understanding the pricing structure of photography packages (which is why I opted to keep it simple and just treat my clients the way I would expect to be treated). Some photographers charge a sitting fee, require you buy a certain number of prints, then charge a premium for digital downloads. Sometimes editing is not included in the price. Some photographers don’t offer products at all and only deliver digital downloads. There are fees for travel outside of specific areas, outfit changes, multiple locations, weekend shoots and there are usually ALWAYS fees for larger families. Understanding what EXACTLY is included in the fee listed on their website is extremely important to understanding what you are choosing. If digital downloads are important to you, make sure you ask your prospective family photographer if that is part of what you’re paying for. If you are ever unsure about what to expect, always ask – and get the answer in writing so you can refer back to it during the process.
These are interesting examples, but I can't think of any client that I've had who would actually purchase the subway shot. What does it say about their family? There isn't congruence in their expressions - that isn't 100% necessary, of course, but in this image it makes me wonder why the photographer chose to present them this way. Middle and bottom sister are just not in to making this image and to me it is very distracting. Now, if it were simply an interesting image, all this is fine - but if we are talking about portraits that mean something to the subjects (who presumably commissioned the work), then I think we need to work harder to engage the people in the shot.
Once everything's in one format, be steadfast in backing up your digital files, no matter the means. If you store your images on an external hard drive, DVD, or a storage Website, remember it's only effective if your images make their way onto the device. Get into the habit of backing up your photos immediately by considering it the final step of your uploading process.
I volunteered my time at an event called Help Portrait last year that has photographers, make up artists and organizers giving their time to create portraits for people that otherwise couldn’t afford a professional one. They ended up sending most of the families to me, initially because I had the biggest area to do the group photo and later because the other photographers said I was the best with the kids.  To see some of my photos from that event go to Help Portrait, Edmonton  2012. 

One advantage of DSLRs is how much they just “get out of the way”. Maybe it seems silly, but when shooting a DSLR I never really have to think about the process of using the camera, with all the mirrorless cameras I’ve used there always seems to be something that gets in the way (poor EVF brightness or refresh rate, slower autofocus speed, ergonomics, button placement and how quickly they make adjustments – the list goes on).
Develop your photography skills. There is no “right way” or "wrong way" to become a better photographer. Some people take a class or get a college art degree with a photography focus. Others believe that college is a waste of time for becoming a photographer. You may find that you can teach yourself about photography from books and experimentation, or you may want to learn from other professionals. Whatever you decide to choose, if you work for it you can achieve it.
The majority of professional photographers offer wedding packages, which are typically less expensive than a la carte pricing. Flat-rate packages typically include a set number of hours, retouched photos, and other deliverables. The more services you receive, the higher the package cost. The various digital or printed components of a photo package — beyond time, locations and number of photographers — also affect the overall cost. The best wedding photographers deliver the final package as a CD or DVD, online with access to digital proofs and high-quality images or quality prints, as physical proofs and prints, as a photographer-made photo album, or some combination of these. A package can offer great cost savings while allowing you to purchase more high-quality images at a future date. The photographer can typically recommend the best wedding photography package options for your budget.

“When shooting a wedding I try to keep my set up really simple. I find that the more toys to play around with takes time away from the thing I am most interested in documenting: the people. Generally, I roll with 2 DSLR bodies, 2 lenses (Canon 50mm f/1.2L/Canon, 24mm f/1.4L) and a Pelican case full of cards in my pocket. I have other gear there on the day just in case but that’s pretty much it.”
Michael Kormos Photography is a boutique family portrait studio in NYC specializing in maternity, newborn and baby photography.  We strive to create an enjoyable, creative and giggle-filled experience, while delivering stunning photos of the highest quality.   With an eye for candid moments and genuine interactions, we have been recognized worldwide for our fresh style, creative perspectives, and portraits that celebrate the love and joy of families.  We offer maternity portraits in our Midtown Manhattan studio, newborn photography in the comfort of your home, and family photos in beautiful outdoor settings.   You can view samples of our portrait sessions on the Blog. We're excited and honored to share these special moments in your family's journey!
Ask for referrals and repeat business. If someone is happy with the photographs you took for her, ask her to refer you to her friends. Additionally, try to build repeat business; if you took 6-month portraits for a baby, contact the family 4 or 5 months later and ask whether they would like to book a 1-year portrait session. Your business can snowball through word-of-mouth.[18]
As tips go this one is pretty simple but something most wedding photographers won’t do. Just have a quick word with the Bridesmaids before the ceremony and tell them to walk slowly and smile. They will thank you for it when they see the photos. Lots of the time Bridesmaid are nervous about walking down the aisle. All eyes are on them. Just remind them that they look great and not to worry as it will be over within seconds.
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I’ve said it before and I’ll say it again, I think it’s more important to have the time in your life captured…than making sure it’s captured professionally. I want to cry when I hear that some families have never had an official family photo, and so many moms just don’t get in pictures at all with their families. I’m here to offer some advice on how you can get it done this year–promise me if it hasn’t happened for a while, that it will happen for you this year!
Lifestyle newborn sessions – Are a bit more casual approach to newborn photography.  There may be some posing but the intention is to capture more natural images of the baby and their home.  These sessions can be done up to 6 weeks old and usually last 1-2 hours max.  My favorite thing about lifestyle newborn photography is capturing the wonder and amazement between the family members.  Newborns are incredible but so is the love in the air.  Memories of this time-frame often become fuzzy for new parents and that is precisely why I feel these types of shoots are so important.
Finding homes for unwanted photographs. Many people feel strongly that no old photo should ever be tossed. However, if you have tons of photos but have no connection to them (or if they’re just not your thing), what can you do with them? One option is to donate them. Historical societies worldwide often accept photos, especially if you can provide information about how they came to you. It can be a point of pride for small towns across the U.S., Europe and elsewhere to see how far and wide their native sons and daughters have traveled over the course of generations.
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